Research
I’m fascinated by how sensory experience, neurodivergence, and more-than-human perspectives can shape future ways of living. My research moves through sound, moving image, ecology and cultural systems, following threads of sustainability, accessibility and everyday technology. I work with scientists, creatives and communities because the questions I care about don’t sit in one place, they need different lenses, different bodies, different worlds.
Flow-state sits at the heart of this work. Not as a productivity trick, but as an ecological and collective condition, something that emerges through attention, immersion, improvisation and being in relation with human and more-than-human environments. It’s where listening becomes research, where curiosity turns into a method.
My approach blends practice-led experimentation, spatial listening, field recording, sensory mapping, narrative prototyping and improvisation. These methods make space for neurodivergent attention and multi-species perspectives, opening up other ways of understanding cultural sustainability, heritage and climate futures — not as distant concepts, but as lived, felt and continually evolving.
Research into how culture, public art, heritage and cultural districts engage with sustainability, climate adaptation and environmental futures.
Cultural and Climate Research
Embodied Creative Research
Practice-led work exploring sensory cognition, flow-state, sound, neurodivergence and ecological experience. often through practice-led and collaborative research.
Research Projects
- The Flow Project (Horizon Europe / VOICE EU)
- Screen Futures (Goldsmiths / CoSTAR / BFI Challenge Fund)
- Hydrogen Residency (Brunel University)